
Focusrite Scarlett 2i2
For singer‑songwriters and podcasters recording at home, this gives pro-grade converters, +69dB mic gain and Auto Gain so you get clean, ready-to-use takes without wrestling with levels.
If you record vocals, guitar or host a podcast at home and want studio-standard results without a steep learning curve, this small USB-C interface solves that problem by putting pro-grade preamps and converters on your desk. It’s aimed at the majority of home musicians and creators who need reliable, low-latency recording and an easy path from idea to mix. ## What makes it worth it The Scarlett 2i2’s 4th‑Generation mic pres offer +69 dB of gain and pair with the same high-quality converters Focusrite uses in larger interfaces, giving a quoted 120 dB dynamic range and 24‑bit/192 kHz audio that noticeably reduces noise and preserves detail. Auto Gain and Clip Safe automate levels so you can focus on performance rather than meters, and the re‑engineered Air mode adds presence that helps vocals and guitars sit forward in a mix. The unit’s compact 2‑in/2‑out USB‑C design and the included software bundle (Pro Tools Intro, Ableton Live Lite, Cubase LE and Hitmaker) mean you can record release‑ready takes straight away. ## Where it falls short Because it’s bus‑powered the 2i2 can draw significant USB power at high headphone volumes and Focusrite warns some weaker USB ports may disconnect; if you push loud studio headphones you might need a powered hub or amplifier. Also, the two inputs are limiting if you plan to record full bands or multi‑mic setups. Buy this if you mainly record one or two sources at a time and want studio‑grade sound with an idiot‑proof workflow; look elsewhere if you regularly need more than two simultaneous inputs or need built‑in DSP effects for zero‑latency processing.
£157
Buy nowBuy if
Buy if you record vocals, guitar or podcasts at home and want studio-grade sound plus an easy, reliable workflow for one or two sources.
Skip if
Skip it if you regularly need more than two simultaneous inputs or require onboard DSP and zero‑latency effects for monitoring.
What we found
Mic preamp gain
+69 dB
AD/DA conversion
24‑bit / 192 kHz
Dynamic range
120 dB (quoted)
Auto Gain
Automatic level setting per input
Clip Safe
Real‑time clip prevention that reduces gain when clipping detected
Air mode
Re‑engineered ‘Air’ circuit for added presence
I/O & connectivity
2-in / 2-out, XLR/¼" combo inputs, USB‑C (bus‑powered)
Ready to buy?
£157